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  • More
    • HOME
    • DEXROIX
      • HISTORY
      • NAME
      • PROCESS
      • BLOCKCHAIN
    • ARTIFACTS
      • 2019
      • 2020
      • 2021
      • 2022
      • 2023
    • SERIES
      • DISPOSABLE MATERIALISM
      • FREEDOM OF INFORMATION
      • METROPOLIS
      • REIMAGINING BOUNDARIES
      • TOKENS OF HUMANITY
      • CANVAS ENCHANTS
      • MICROBITES
      • CULTURAL KEEPSAKES V.1
      • VIRTUAL TOURISM
      • COMPANION
      • MISSING INFORMATION
      • MISSING INFORMATION 2.0
      • IT TAKES A VILLAGE
      • PRIME TIME
    • PLACEMENT
  • HOME
  • DEXROIX
    • HISTORY
    • NAME
    • PROCESS
    • BLOCKCHAIN
  • ARTIFACTS
    • 2019
    • 2020
    • 2021
    • 2022
    • 2023
  • SERIES
    • DISPOSABLE MATERIALISM
    • FREEDOM OF INFORMATION
    • METROPOLIS
    • REIMAGINING BOUNDARIES
    • TOKENS OF HUMANITY
    • CANVAS ENCHANTS
    • MICROBITES
    • CULTURAL KEEPSAKES V.1
    • VIRTUAL TOURISM
    • COMPANION
    • MISSING INFORMATION
    • MISSING INFORMATION 2.0
    • IT TAKES A VILLAGE
    • PRIME TIME
  • PLACEMENT

The Final Stage

“Art, to me, is not just a product—it’s a continuum. A living process that moves through concept, creation, and ultimately, placement. Each stage holds equal weight, but it is at the moment of placement—when the piece meets its environment—that it truly comes alive. It begins to reflect, respond, and resonate with those who encounter it.” — Randy Kart / DEXROIX
 

As an artist, I often see myself as a contemporary historian—tasked with capturing moments as they pass, visualizing them in form, and entrusting them to their next custodians. When a piece finds its place—whether on a wall, in a home, or within a digital network—it evolves. No longer just an expression of my vision, it becomes part of a new story, shaped by the space and the people around it.


In this process, I’m not the author—I’m the vessel. I carry forward the passions, beliefs, and unspoken energies of others. My role is to give form to those forces, to render them tangible and lasting.


And to ensure these narratives endure, I turn to blockchain—a medium of permanence in an impermanent world. It allows me to embed meaning not just into the object itself, but into its history. What I create isn’t just art—it’s a living record, inscribed into the fabric of time.

INTERPLANETARY COMMERCE

Placement / Elon Musk / Founder, CEO and Chief Engineer at SpaceX, Product Architect of Tesla, Founder of The Boring Company; and Co-Founder of Neuralink and OpenAI.


Date / 2021


Location / SpaceX / California


Edition / 1 of  1 


Series / Tokens of Humanity


Reference / MM.IC.2021.27


Acrylic medium with latex and cotton on wood panel.


SpaceX designs, manufactures and launches advanced rockets and spacecraft. The company was founded in 2002  by Elon Musk to revolutionize space technology, with the ultimate goal of enabling people to live on other planets.

THE SANDBOX / ALPHA COIN

1/4

Placement / Sébastien Borget / Co-founder and COO of The Sandbox


Date / 2021


Location / The Sandbox / California


Edition / 1 of  1 


Token / Virtual Tourism   


Reference / NFT.SB.2021.24

Reference / NFT.SB.2021.25

Reference / NFT.SB.2021.26

Reference / NFT.SB.2021.27


Edition Size / 1  


Blockchain / Ethereum - Polygon


The Sandbox is a virtual metaverse where players can play, build, own, and monetize their virtual experiences. A virtual world empowering artists, creators, and players to build the platform they always envisioned, and providing the means to unleash their creativity.

LEGAL TENDER

Placement / In Process


Date / 2022


Location / In Process


Edition / 1 of  1 


Series / Tokens of Humanity


Reference / MM.LT.2021.28


Acrylic medium with latex and cotton on wood panel.


El Salvador has become the first country in the world to formally adopt cryptocurrency after its Congress voted overwhelmingly to approve a law classifying Bitcoin as legal tender.


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Randy Kart / DEXROIX.COM / DEXROIX.AI